What does a spaniel, a hamster, and
an orangutan have in common? Well, nothing really except, at times, each animal
has been used to describe one of the characters on Amazon’s recreation of the
BBC’s Top Gear, The Grand Tour. For the most part, this has not bothered
animal right activist. And, though, at times, Jeremy Clarkson, Richard
Hammond, and or James May might resist such associations, these cuddly connections
help define and endear them to their fans. Clarkson turns into a relatable
baboon instead of an obnoxious loudmouth. Hammond becomes a cute pet to keep in
a cage, and James, well, James just pees all over everything but still deserves
a treat. And while it might be hard to teach an old dog or, for that matter, a
hamster or orangutan new tricks, The Grand Tour appears to have learned
a few and might even be worth watching and “on that bombshell”, to quote Clarkson, I begin my review.
The first season started off bold
and brash. A new location each week, a couple dead celebrities, a unique home
track, and even an American so the audience could see the cars go fast (ha ha).
And there might have been a few kinks or niggles to work out, but The Grand
Tour appeared to be taking off right where Top Gear, at least a Top
Gear that included Clarkson, Hammond, and May, had ended so
unceremoniously.
Then came season two. And while the
show still had life it felt as though somebody had taken the show’s spirit. The
show became reactionary bending to a degree to the audience’s will and maybe
even struggling to find a place for itself within Amazon’s will. The natural
artistic instincts of the three seemed to be set aside in parts.
Season three, then, has been about
the rediscovery of their natural artistic instincts. The show has developed a
better sense of a global place, a global tour. Regaining the loss of setting
from season one. The new driver from season two, Abbie Eaton, has started to develop
as a character in the show. Even Mike Skinner from season one makes a fun
appearance. And while one might complain that most of the shows seemed very
similar to older shows the three had done, a person should also remember that the
tv show Seinfeld made it nine seasons basically repeating the same joke. A good
story can be retold and retold without need to apologize. And here, in the
mutual hate of friendship, The Grand Tour, has captured an old voice for
new listeners, I think.
And while the setting provided by
the BBC, unadulterated by advertising, is going to be hard to overcome in the
mass commercialism of Amazon, the show is just starting to feel, I guess, for
lack of a better term, authentic, and authenticity, scripted or not, has always
been what made the show these three put on any good. Maybe, in a way, Clarkson,
Hammond, and May have each begun to embody their “spirit” animals and I am
excited to seen what comes next.